Saturday, July 25, 2009

Gender and the Politics of History: Book Review



Scott’s book on gender points out the very fragile nature of “how we know what we know.” Scott points to language as the way in which people represent and organize life. Language creates a cosmology upon which people build their values, order their priorities and take action. Napoleon once said that, “a man will die for a bit of ribbon” (a medal), this because he had internalized the symbology of the ribbon. Thus if you change the language (terms of debate) you begin to change the system of values.

Why would you need to change the terms of debate? Scott suggests that history, as it had traditionally been written by men, is a fiction created through implicit processes of differentiation, marginalization, and exclusion. Power relationships determine how the story is told. As new power centers emerge in a society (class, race, gender, ethnicity) alternative views of history emerge. Scott shows the underlying power structure behind the writing of history and implicitly raises the question, “Who owns’ history?” In a homogenous society you have “one” history. In a heterogeneous society you have multiple histories.

My titles on Amazon

My titles at Barnes & Noble



The best reading experience on your Android phone or tablet, iPad, iPhone, Mac, Windows 8 PC or tablet, BlackBerry, or Windows Phone.

Cipher Book Reveals Location of Treasure

In the 1940s, Edward Rowe Snow of Marshfield, Massachusetts searched for the treasure of Captain James Turner, “The King of Calf Island”. He didn't have a treasure map, but by a stroke of extraordinary luck Snow came into possession of a 17th century book which proved to be the key to the treasure’s whereabouts. Upon examining the book he found that holes picked out certain letters which spelled out a message, “Gold is due east trees Strong Island Chatham Outer Bar.” When he searched the area, Snow discovered a small metal chest buried just above the high water mark. The chest contained 316 silver coins dating between 1799-1820.

Time Magazine Report of October 15, 1945:



My titles on Amazon

My titles at Barnes & Noble



The best reading experience on your Android phone or tablet, iPad, iPhone, Mac, Windows 8 PC or tablet, BlackBerry, or Windows Phone.

Saturday, July 11, 2009

Jean Lafitte

As communications and national maritime strength grew piracy withered. Still, as late as 1813 three thousand acts of piracy were reported in the Gulf of Mexico. It was not until 1850 that piracy finally disappeared from the Western Hemisphere.

One of the greatest pirates of the Gulf was Jean Lafitte. Jean Lafitte was born in France in the year 1780. He was apprenticed as a blacksmith in his youth, a trade which he took up in New Orleans when he and two of his brothers moved to America. Within a few years the smithy had become a clearinghouse for pirate goods.

Lafitte decided to outfit his own ships to bring in more goods. He established a base in Barrataria Bay outside of New Orleans. Soon Lafitte's ships were cruising the coastline along the Gulf of Mexico. Holding a privateer's commission from the Republic of Cartagena, Lafitte preyed on Spanish commerce. The merchandise would then be smuggled into New Orleans. All attempts to dislodge the pirates failed. The governor of Louisiana offered the unheard of sum of $5,000 for the capture of Lafitte, dead or alive. Lafitte responded by offering a $50,000 reward for the head of the governor.

The War of 1812 placed Lafitte's pirates in a tenuous position. The Barratarian gulf was an important approach to New Orleans, and in 1814 the British offered Lafitte a huge cash settlement , along with a commission in the Royal Navy for his cooperation in seizing the city. Lafitte alerted American authorities and offered to aid the Americans if the United States would offer a full pardon. General Andrew Jackson accepted Lafitte's offer, and the pirates, in charge of the artillery, rendered distinguished service in the battle of New Orleans. Lafitte and his men received a full pardon, but Lafitte found that he could not endure the monotony of a respectable life. In 1817, Lafitte, with a thousand followers, established a new pirate stronghold on Galveston Island off the coast of Texas. Finally, after several more years of piratical activities an American naval force smashed Lafitte's base. Laffite fled to South America, finally returning to Europe, where he died in 1826.

Most of the treasures hidden by Lafitte are in Louisiana, although Florida and Texas claim their share as well.


Amazon.com link to Legends of Pirate Gold





My titles on Amazon

My titles at Barnes & Noble



The best reading experience on your Android phone or tablet, iPad, iPhone, Mac, Windows 8 PC or tablet, BlackBerry, or Windows Phone.

Monday, June 29, 2009

The Confederate Blockade of the Potomac

Link to:
Even before Virginia became part of the Confederacy, Northern Virginians realized the opportunity they had to strangle Washington by erecting land batteries on prominent points along the Potomac River.

The decision to do so was finally reached in August 1861, while the Union army lay paralyzed after its defeat at Bull Run. In all, there were thirty seven heavy guns placed along the river. And five regiments were encamped along the river to protect the vital gun positions. The Confederates also had a captured steamer, the C.S.S City of Richmond, terrorizing smaller craft on the river.

The Confederate defenses effectively closed the Potomac River from August 1861 to March 1862. The speediest ships could be kept under constant fire for almost an hour. The Confederate blockade was so successful that a foreign correspondent reported that Washington was the only city in the United States which really was blockaded.

When Confederate forces shifted south in March 1862 to forestall a Union drive on Richmond, the batteries along the river were evacuated.






My titles on Amazon

My titles at Barnes & Noble



The best reading experience on your Android phone or tablet, iPad, iPhone, Mac, Windows 8 PC or tablet, BlackBerry, or Windows Phone.

Friday, June 26, 2009

The Populists, the Progressives, and Revolution in America

Link to:
There was a mandate for change in the Gilded Age, but no agreement on what that change should be among the divergent groups that made up American society. (1) The upper industrial class engineered a wrenching economic transformation, accumulated staggering fortunes, and pursued notorious private lives, upholding a set of values at odds with the middle class, farmers, and workers. Even among themselves the upper industrial class disagreed how best to live their lives and secure their future. Andrew Carnegie and John D. Rockefeller, among the most successful, were, with their austere lifestyles and doctrines of philanthropy, revolutionaries to other members of the upper industrial class; (2) the middle class was split between old style Radicals such as Albion Tourgee with notions of color blind meritocracy and more cautious middle class reformers such as the Progressives who sought to avoid societal turmoil and remake workers, immigrants and the industrial upper class in their own image; (3) the agrarian class simultaneously pursued the agrarian myth of the yeoman farmer, while living the life of the rural small businessman; (4) labor divided between those seeking a re-structuring of society and those primarily concerned with wages and working conditions; (5) sectional and racial issues unresolved from the time of the Civil War continued to divide; (6) women increasingly questioned prescribed gender roles.

No group could unilaterally impose its will. Instead, each group usually had to make alliances, some of them strange and uncomfortable, and win over at least some of the enemy in order to achieve its goals. For example, by the end of the century, many women suffragists argued that Anglo-Saxon women’s votes, would serve as bulwark against the influence of foreign and black votes. Then, as now, the very fragmentation of America precluded revolution or the emergence of a successful radical opposition.



My titles on Amazon

My titles at Barnes & Noble



The best reading experience on your Android phone or tablet, iPad, iPhone, Mac, Windows 8 PC or tablet, BlackBerry, or Windows Phone.

Thursday, June 18, 2009

Domestic Propaganda in World War I



Amazon.com link to: Uncle Sam Wants You: World War I and the Making of the Modern American Citizen by Christopher Capozzola

In 1917 the United States government established the Committee on Public Information (CPI) to mobilize and sustain public opinion in favor of America’s war effort. Since that time, the historical treatment of American domestic propaganda efforts in World War I has evolved in three distinct phases, reflecting an evolution in thinking not only about the definition of propaganda but also about its impact on American life.

Christopher Capozzola, a scholar trained in the post-Cold War period, analyzes the past from a vantage point in which a “rights society”, diversity, and pluralism are the enshrined national norms. His book is compelling in that he shows us that such was not always the case.

The works of earlier historians bear out that American thought has undergone a significant change. In the 1940s, Lavine and Wechsler could write unblushingly “In the molding of public opinion, the miners and unskilled workers didn’t figure very decisively; ‘the Americans’ delivered the sermons and wrote the newspaper editorials.” Here was a top down driven society where historians wrote knowingly for a narrow and homogeneous elite. During the period 1950-1990s, we see the emergence of the voice of dissent, and increasing attention to previously excluded groups. The discourse revolves around the relationship of the individual to the state, with the balance shifting in the direction of historians giving the rights of individuals an increasing significance in relation to the needs of the state. The scholarship of this period clearly reflects the national security anxieties and domestic political battles of the Cold War.

Interestingly, with the end of the Cold War, and the emergence of historians trained after the fall of the Soviet Union, scholarship concerning World War I launches forth in a new direction, leading one to speculate if historians are inevitably prisoners of the political era in which they live. If so, then no one book can ever do justice to a subject, and the history book/web product of the future must incorporate the viewpoints of all prior historical schools/phases in order to provide the most skillful and useful analytical tool.


My titles on Amazon

My titles at Barnes & Noble



The best reading experience on your Android phone or tablet, iPad, iPhone, Mac, Windows 8 PC or tablet, BlackBerry, or Windows Phone.

Monday, June 01, 2009

A Rifleman in Normandy

THE NORMANDY CAMPAIGN

“Incentive is not ordinarily part of an infantryman’s life. For him there are no 25 or 50 missions to be completed for a ticket home. Instead the rifleman trudges into battle knowing that statistics are stacked against his survival. He fights without promise of either reward or relief. Behind every river, there’s another hill….and behind that hill, another river. After weeks or months in the line only a wound can offer him the comfort of safety, shelter, and a bed. Those who are left to fight, fight on, evading death but knowing that with each day of evasion they have exhausted one more chance for survival. Sooner or later, unless victory comes, the chase must end on the litter or in the grave”
General Omar N. Bradley, Commander US First Army.

June 6, 1944
On June 6, 1944 the Allies land in Normandy, on the north coast of France. Operation Overlord is underway.

August 25, 1944
Paris is liberated by the Allies. The Battle of Normandy costs the German army 450,000 men. Some 240,000 of these were killed or wounded. The Allies suffered 209,000 killed or wounded.






Link to: A Rifleman in Normandy



My titles on Amazon

My titles at Barnes & Noble



The best reading experience on your Android phone or tablet, iPad, iPhone, Mac, Windows 8 PC or tablet, BlackBerry, or Windows Phone.

Sunday, May 31, 2009

Why do we study history?

This video of a slave auction site in St. Louis, Missouri raises the question, “Should we remember history or move on?" Why do we study history?




My titles on Amazon

My titles at Barnes & Noble



The best reading experience on your Android phone or tablet, iPad, iPhone, Mac, Windows 8 PC or tablet, BlackBerry, or Windows Phone.

A Confederate attack on Washington D.C. ?


CSS Stonewall

The Confederacy almost turned the naval balance of power around when it was the first to commission an operational ironclad. On the morning of March 8, 1862, the CSS Virginia (Merrimack) sailed toward the entrance of the James River, attacking the wooden ships of the Union fleet. Panic spread throughout Washington as news of the destruction of the wooden ships flowed into the city. Washingtonians waited to be shelled by the ironclad monster. An officer asked President Lincoln, “Who is to prevent her from dropping her anchor in the Potomac…and throwing her hundred pound shells into this room, or battering down the walls of the Capitol?” Lincoln replied, “The Almighty,” but together with members of his cabinet continued looking anxiously down the Potomac for a sign of the CSS Virginia.

Actually the heavy, ponderous Virginia,with its deep draft, was probably incapable of sailing up the Potomac. The more seaworthy CSS Stonewall, purchased in Europe and commissioned late in the war, was the type of ocean going ironclad cruiser that could have destroyed the Union blockade and bombarded Washington, Philadelphia and New York.


Link to:



The best reading experience on your Android phone or tablet, iPad, iPhone, Mac, Windows 8 PC or tablet, BlackBerry, or Windows Phone.

Sunday, May 17, 2009

Eugene Debs - Bigot

Link to:
In the early 20th century, the premise of left wing radical Eugene Debs’ ideology rested upon identification of the labor movement with Anglo-Saxon male Protestants intimately familiar both with the prophetic strain in Christianity and with the traditions of American democracy. Immigrants, especially those of non-English or non-German stock, black and female workers did not fit into this conception. Debs wrote, “The Dago works for small, and lives far more like a savage or wild beast, than the Chinese.” These sentiments did not inspire universal labor solidarity.

Debs was not unique in his outlook. The American Protective Association identified Catholicism as the country’s most dangerous threat. Members took an oath never to vote for a Catholic, patronize Catholic merchants, or strike with Catholic workmen.

The objects of intolerance change over time, but the shrill voices of intolerance never seem to change.



My titles on Amazon

My titles at Barnes & Noble



The best reading experience on your Android phone or tablet, iPad, iPhone, Mac, Windows 8 PC or tablet, BlackBerry, or Windows Phone.

Friday, May 08, 2009

Teddy Roosevelt and the Progressives

“Too much cannot be said against the men of wealth who sacrifice everything to getting wealth. There is not in the world a more ignoble character than the mere money-getting American, insensible to every duty, regardless of every principle, bent only on amassing a fortune, and putting his fortune to only the basest uses….”

Page 96: A Fierce Discontent: The Rise and Fall of the Progressive Movement in America by Michael McGerr. Oxford University Press, 2003

Link to Amazon.com:





My titles on Amazon

My titles at Barnes & Noble



The best reading experience on your Android phone or tablet, iPad, iPhone, Mac, Windows 8 PC or tablet, BlackBerry, or Windows Phone.

Tuesday, May 05, 2009

American Civil War Crime

There was more to the American Civil War than just battles and generals. Millions of ordinary people were doing ordinary things. Some of these things involved breaking the law, civilian and military. Author Tom Lowry has read over 85,000 court martial transcripts and is one of the foremost authorities on Civil War justice.









Why the South Fought the Civil War





My titles at Barnes & Noble



The best reading experience on your Android phone or tablet, iPad, iPhone, Mac, Windows 8 PC or tablet, BlackBerry, or Windows Phone.

Tuesday, April 14, 2009

Taxes to Beat the Axis

In 1943 Americans realized that paying their taxes was a patriotic duty to be done in support of the common good.

“There is a mysterious cycle in human events. To some generations much is given. Of other generations much is expected. This generation of Americans has a rendezvous with destiny.”…..Franklin D. Roosevelt





My titles on Amazon

My titles at Banres & Noble



The best reading experience on your Android phone or tablet, iPad, iPhone, Mac, Windows 8 PC or tablet, BlackBerry, or Windows Phone.

Wednesday, April 08, 2009

John Brown at Harpers Ferry


John Brown


The culminating event of the 1850s was John Brown’s raid on the federal arsenal at Harpers Ferry. To white Virginians, Brown’s raid was emblematic of an evil outside influence trying to disrupt the harmony enjoyed by Virginia’s white and African American communities.

“ Not a Slave Insurrection!”, proclaimed an editorial in the Alexandria Gazette,

“ The recent outbreak at Harper’s Ferry was, in no sense, an insurrection. The slaves had no part nor lot in the matter, except in so far as some of them were forced to take part ….There were five free negroes engaged in the affair, but not a single slave! And even the free negroes thus engaged were not Virginia free negroes”

Two days later, the editor of the Alexandria Gazette elaborated on his claim that the Brown raid was not an insurrection. The editor asked, “What single feature or circumstance characterized it as an ‘insurrection’?” After pointing out that “abolition invaders” found not “one single abettor or sympathizer in the State”, the editor pointed out that to call John Brown’s raid an insurrection disguised the enormous truth, “that Virginia has been invaded…actually, deliberately, and systematically invaded…by an organized band of miscreants, white and black, from Free States, under the lead of a Kansas desperado, at the instigation and appointment of influential and wealthy Northern Abolitionists!”

Ultimately the psychological tensions produced by the internal contradictions of slavery as it faced both economic modernization and hostile outside forces found catharsis in secession and war.

Runaway Slaves in Virginia available on Kindle



Secrets of American History: available on Kindle









Monday, March 30, 2009

Review: Satchmo Blows Up the World: Jazz Ambassadors Play the Cold War



Satchmo Blows Up the World: Jazz Ambassadors Play the Cold War
by Penny M. Von Eschen

Penny Von Eschen raises the question as to whether music can be a universal language, transcending national boundaries and communicating with all people regardless of language or social barriers. Can music act as a “tool for global transformation?” She suggests that American jazz was such a universal language acting as a bridge to other cultures. The key ingredient appears to be the individualistic nature of jazz. Jazz carries a subtext of individualism, of personal expression, and of the possibility of freedom. There are serious claims that the Cold War was won largely by American blue jeans and music presenting an alternative societal vision to the Communist bloc.

As appealing as this view is, it appears naïve and romantic. Cultural influence is a form “soft” power as opposed to “hard” power which is economic and military. As Mao Tse Tung once observed, “all power comes from the barrel of a gun.” Countries with more hard power tend to have more soft power (i.e. cultural influence). Thus after the Second World War, British and French cultural hegemony in the Third World declined as American and Soviet cultural influence rose. As much as American culture may have influenced the ultimate demise of the Soviet Union, forty five years of military containment and the collapse of the Soviet economy probably played more decisive roles.

Can the world be changed by song? Problematic. When the artist creates a song the meaning of the song passes to the audience. Thus a jazz listener in Africa during the Cold War might respond to jazz because, “to speak English as an American, put him in the vanguard”. In addition, “to be liberated (from French colonial rule) was to be exposed to R&B….” an alternative source of cultural capital. (Von Eschen, 178). How the audience receives the song and what meaning it fashions from the song may be totally removed from the artist’s original intent.

More problematic yet is that artists are in and of their culture and cannot necessarily transcend it. While an artist may oppose certain aspects of the culture, he/she is also a product of that culture. Thus, the same individualism, personal expression and possibility of freedom that is found appealing within Western culture may be totally anathema, for example, within the context of traditional Islamic culture. American music, as a product of a secular Western consumer society, may be perceived by both the elites and the masses in traditional religious non-consumer societies as part of overall American cultural imperialism, as opposed to something benign.

Since we do not have a universal world culture, and many political scientists posit that we are in an era characterized by the “clash of civilizations”, policy makers will assess the merits of using music as a “tool/weapon” in this struggle of competing civilizations. For example, Western societies embrace notions of gender equality. Islamic culture largely rejects this western value. Thus American policy makers might use American cultural products to target the aspirations of Islamic women for power/political purposes. However unwittingly, the artist becomes an agent of cultural imperialism in its broadest sense.

My titles on Amazon

My titles at Barnes & Noble



The best reading experience on your Android phone or tablet, iPad, iPhone, Mac, Windows 8 PC or tablet, BlackBerry, or Windows Phone.

Review: The Populist Moment by Lawrence Goodwyn.

The Populist Moment by Lawrence Goodwyn.


Goodwyn’s 1978 book, published in the post-Vietnam/post-Watergate era, is heavily laden with Marxist analysis and argues, “The agrarian revolt demonstrated how intimidated people could create for themselves the psychological space to dare to aspire grandly….” Consensus did not exist, the meaning of the agrarian revolt was its cultural assertion as a people’s movement of mass democratic aspiration against entrenched interests to which “the plain people” were diametrically opposed.(Goodwyn, 295) The Populists were attempting to bring the corporate state under democratic control.

Goodwyn argues that how money was created, and on what basis it circulated, defined in critical ways the relationships of farmers, urban workers, and commercial participants in the emerging industrial state. The government’s reliance on the gold standard meant deflation, which translated into the long postwar fall of farm prices. (Goodwyn, 24) High interest rates benefited only creditors and moneylenders. Furnishing merchants, for example, demanded that their debtors plant one certain cash crop, cotton. “No cotton, no credit”. If the farmer failed to “pay out” he still owed the merchant a remaining balance for the supplies furnished on credit during the year. Such was the crop lien system. The crop lien system became for millions of Southerners, little more than slavery. (Goodwyn 21-25) To the nation’s farmers, contraction of the money supply, caused by business’ insistence on “hard currency”, was a “mass tragedy”. Farmers had three choices, they could put their hopes on more efficient farming, they could concentrate their energies on economic cooperatives, or they could organize and secure changes in the regulations that governed the relations between different classes of citizens. (Goodwyn, 109) When economic cooperatives failed, farmers turned to politics. Goodwyn argues that business and financial entrepreneurs had achieved effective control of a restructured American party system in both the North and the South and farmers had little choice but to turn to politics if they were to “…(achieve) a civic culture grounded in generous social relations and in a celebration of the vitality of human cooperation and the diversity of human aspiration itself ” (Goodwyn, 292) The Populist Movement was the product of an insurgent culture that grew out of the gradual raising of class consciousness as farmers struggled against bankers and financiers. (Goodwyn, 61)

Goodwyn argues that Populism was a insurgent democratic movement who’s time had not yet come. “What could a Protestant, Anglo-Saxon Alliance organizer say to the largely Catholic, largely immigrant urban working classes of the North….In 1892, what (Populism) lacked was a social theory of sufficient breadth to appeal to all….”(Goodwyn, 177) The agrarian movement achieved the politicization of masses of people, however it was still unable to break the bonds of inherited political habits. Populist attempts to construct a national farmer-labor coalition came before the fledgling American labor movement was internally prepared for mass insurgent politics. (Goodwyn, 297) Goodwyn argues, “A consensus thus came to be silently ratified: reform politics need not concern itself with structural alteration of the economic customs of the society. This conclusion, of course, had the effect of removing from mainstream reform politics the idea of people in an industrial society gaining significant degrees of autonomy in the structure of their own lives.” (Goodwyn, 284)

My titles on Amazon

My titles at Barnes & Noble



The best reading experience on your Android phone or tablet, iPad, iPhone, Mac, Windows 8 PC or tablet, BlackBerry, or Windows Phone.

The Populists and the Progressives

Richard Hofstadter, The Age of Reform, New York: Random House, 1955

Richard Hofstadter examines the great American reform movements from 1890 - 1940 (the Populist Movement, Progressivism, and the New Deal) and asks: (1) What were the ideas of the participants? and (2) How did Populism and Progressivism differ from the New Deal?

The ideology of the Populist movement reflected the American agrarian myth (the virtues of the independent yeoman farmer). Urbanization and industrialization, coupled with a virtual “immigrant invasion” gave rise to the notion of an innocent and victimized rural population. Populism insisted that the federal government had some responsibility for the common welfare, “The people versus the interests, the public versus the plutocrats, the toiling multitude versus the money power….” (Hofstadter, 65) Failure at the ballot box (the defeat of the third party bid to capture the White House) led rural interests to pursue modern methods of pressure politics and lobbying within the framework of the existing party system where they were largely successful in accomplishing their economic goals. (Hofstadter, 95)

The Progressive movement was urban, middleclass and nationwide. Progressives (like the Populists) were native born Protestants. Corporations, labor unions, and political machines (which organized incoming immigrants) were aggregating and presenting unorganized citizens the prospect that they would be unable to resist the new forces. The Progressive movement was “the complaint of the unorganized against the consequences of organization.” (Hofstadter, 216) Progressivism tried to restore a type of economic individualism and political democracy that was believed to have existed earlier in America and to have been destroyed by the great corporations and the corrupt political machines.(Hofstadter, 5)

Hofstadter argues that Populism and Progressivism were driven by moral absolutes arising from the Protestant evangelical tradition. He suggests that to some degree both the Populists and Progressives were deluded by these ideological motivations which did not align with either their true economic interests or the necessity for new organizational modes required by a more advanced technological society. He argues for example that, “The prosperity of the commercial farmers was achieved not only in spite of but in good part because of the rise of American industry and the American city”. (Hofstadter, 110) Hofstadter argues that Progressives were trying to keep the benefits of the emerging organization of life and yet to retain the scheme of individualistic values that this organization was destroying. (Hofstadter, 217) Hofstadter’s central argument is that modern organizational necessities trumped ideology, “In their search for mechanical guarantees of continued popular control the reformers were trying to do something altogether impossible…to institutionalize a mood.” (Hofstadter, 266) Neither the Populists nor the Progressives offered an effective countervailing organizational structure for the realization of their reform goals. The New Deal, which was above all else pragmatic and boldly experimental, offered such an alternative organizational structure, pro-active big government.

How effective is Hofstadter’s argument? His deconstruction of the “soft” and “hard” motives of the Reformers is illuminating. He basically suggests that there was no inherent conflict between the new emerging organizations and the Protestant farmers and middle class who made up the Reform movements. Farmers’ economic interest benefited from the advent of urbanization and industrialization. In absolute terms, the native middle class also enjoyed material benefits. Hofstadter’s view is perhaps too materialistic. Progressives at the time argued that the nation was enjoying prosperity but losing its soul. “Anything that makes the organization greater than the man…is against all the principles of progress.” (Hofstadter, 226) Hofstadter appears to have little patience with intangibles and projects a firm believe in the values of pragmatism. To dismiss intangibles, however, is to deny the importance of irrational motives in history. There are, however, numerous historical examples of people and nations acting in ways inconsistent with their apparent self interest (e.g. the continuation of the slaughter in World War I long after the point where any conceivable goal could justify the cost).

Hofstadter’s concentration on the “critical path” of history, determined by emergent technical and social forces, is a powerful analytical technique. Basically his argument runs: The growth of big organizations was inevitable in a more complex technical and social environment. “Soft motives”, like the myth of the yeoman farmer, always lag behind the emerging necessities of modernity. Such old myths may produce social anxieties but may also have uses in softening transitions between historical periods (e.g. reform movements). “The rise of big business may have been inevitable, but if so it was salutary that it should have taken place in a climate of opinion that threw it intermittently on the defensive”. (Hofstadter, 255)

Hofstadter’s book is a product of the 1950s and makes virtually no mention of either women or African Americans which will be jarring for the modern reader.

The Gilded Age and Revolution



Love, Sex and Marriage in Victorian America



My titles on Amazon

My titles at Barnes & Noble



The best reading experience on your Android phone or tablet, iPad, iPhone, Mac, Windows 8 PC or tablet, BlackBerry, or Windows Phone.

Saturday, March 14, 2009

Tuesday, February 24, 2009

Book Review: Swing Shift: "All-Girl" Bands of the 1940s




LINK TO: Swing Shift: "All-Girl" Bands of the 1940s By Sherrie Tucker

The history of “all girl” bands of the 1940s highlights the issue of the relationship between art and commerce, or what you might call “the artist’s dilemma” (i.e. I can pursue my artistic vision or I can pursue commercial success). There were substantial financial rewards to be had by musicians. Elsie Blye, for example, found that the wartime demand for musicians made switching from Oklahoma schoolteacher to Hollywood pianist a lucrative option as her salary shot up three hundred percent. Many black women found music paid better than domestic work or sharecropping (Tucker, 55). While artists could make money doing what they loved, they did so at the price of giving up control over the “rules” of work. Then and now, it seems that managers and music entrepreneurs, rather than artists, control what is played, how it is played and under what circumstances it is played in order to maximize profits. Maximizing profits depends on catering to audience expectations and pre-dispositions not only about the music but about the performers. Musical marketing appears to be a “total package” concept, involving the music, the performer, and the values/dreams the music and performance embody for the audience (i.e. does the music allow the audience to vicariously “live the life they have imagined”).

The American public embraced “all girl” bands during the World War II era as a novelty, a temporary expedient in time of war. This is not how the women, many of whom were professional musicians before the swing band shortage of the war years, saw themselves, “We put in the time. We put in the hours. We didn’t consider ourselves a novelty”. Creative artists are generally in the vanguard of social movements, anticipating the changes in society which are about to emerge. White women were joining “all girl” black bands in order to become better musicians and to find a more appreciative audience for the type of music they wanted to play. They were being accepted at considerable risk to the black members of the band out of what you might term artistic solidarity. The artists were anticipating the social changes that were about to come, but as a practical matter had to conform to social conventions. Thus white performers had to be hidden and disguised in order to play with black bands. Similarly, women musicians had to conform to conventional expectations of femininity, often being dressed in elaborately feminine frocks that made playing their instruments more difficult. As a practical matter, individual artists could not do just as they pleased, they had to operate between the freedom of art and the constraints of commerce. Although artists constantly struggle for autonomy, and frequently violate norms and conventions, they can only go so far before risking commercial failure. As has been said of one of the “all girl” bands, the Darlings of Rhythm, “Women who broke too many rules wound up on the cutting-room floor of earthly history”(Tucker, 224).

My titles on Amazon

My titles at Barnes & Noble



The best reading experience on your Android phone or tablet, iPad, iPhone, Mac, Windows 8 PC or tablet, BlackBerry, or Windows Phone.

Sister Rosetta Tharpe: First Lady of Rock



LINK TO: Shout, Sister, Shout!: The Untold Story of Rock-and-Roll Trailblazer Sister Rosetta Tharpe


The career of “Sister” Rosetta Tharpe embodies many of the themes endemic to American popular music, authenticity, gender mediation, the impact of technology on the creation and distribution of music, and race mediation.

Rosetta Tharpe was raised within the Pentecostal tradition which regarded music as a way of achieving religious ecstasy. Gospel music audiences expected their singers to be “clean and untarnished by the world” (Wald, 139). Songs were expected to be spiritual and spirit filled, a gospel song was to be, “a sermon set to music”. Rosetta Tharpe could perform within this milieu, but like many other gospel performers faced the dilemma of limiting her options (and income) or crossing over to perform secular music as well. Performers such as Tharpe, and Sam Cooke “crossed over”, while others such as Mahalia Jackson and Dorothy Love Coates, “could not relate to (secular) music”. Mahalia Jackson was embraced as the preeminent Gospel singer because of her authenticity. Gospel audiences were skeptical about Rosetta Tharpe’s sincerity as a spiritual entertainer because she also performed secular music.

There was room for skepticism. Rosetta’s personal life suggests that while she may have been willing to placate audiences and offer up a public persona somewhat matching their expectations, in private she was a woman with the type of “will to power” associated only with men during that period. Rosetta was a hard living woman with a string of husbands and some say at least one woman lover (the later being an unforgivable sin to conservative Christian audiences). In her professional career she was a domineering force (to the chagrin of men), outplaying men on the guitar ( the “man’s instrument”) and issuing orders authoritatively to subordinate males (reversing the “natural order” of things).

Rosetta pragmatically adapted her career to meet changing circumstances. Starting in gospel music, she crossed over to secular blues music as the size of radio and television audiences eclipsed the size of gospel audiences. In the early 1950s she was not afraid to record with country music idol Red Foley. In 1958, as Britain and Europe embraced American black musicians, Rosetta quickly discovered the value of “folk credentials” (bestowed on her a decade earlier by Alan Lomax). “If ‘folk’ was the rage among a record buying public of earnest young people, then ‘folk’ she would be” (Wald, 175).Sister Rosetta Tharpe played the game, and played to win.

The unintended consequences of Sister Rosetta Tharpe’s larger than life career are musically telling. She had a tremendous influence on young British musicians who, in turn, would re-interpret American black music and re-introduce it to mainstream American audiences. The British invasion together with the heavily Gospel/Blues influenced music of Elvis Presley put black music and style at the center of American popular music, “but the conduit(s) of these new sounds and styles did not have to be black” (Wald, 145).

My titles on Amazon

My titles at Barnes & Noble



The best reading experience on your Android phone or tablet, iPad, iPhone, Mac, Windows 8 PC or tablet, BlackBerry, or Windows Phone.