Remains of the Remeum
The “Remeum”
was a huge family mausoleum erected, on land belonging to Pohick Church in
Lorton Virginia, by controversial Baha’i faith leader, Charles Mason Remey. The
Remeum was constructed over a twenty year period (1937-1958) until a disagreement
between the Pohick Church and Remey resulted in legal action. The mausoleum was designed by Charles Remey
as a memorial to his family’s contributions to America. According to the Washington Evening Star and Daily News of April 9,
1973, the mausoleum was planned as a “magnificent
complex of walled courtyards, underground chambers with soaring vaulted
ceilings, marble reliefs and statues, carved pillars, chapels and burial
vaults.” Remey devoted most of his fortune
to building this burial complex. Some
two million bricks were used in its construction. Remey planned to build a huge three story structure
above the underground mausoleum which would have dwarfed Pohick Church.
The completed sections of the Remeum complex included
outer courtyards, an atrium, and the underground mausoleum. Costing millions of
dollars, the complex featured bas reliefs and sculptures by the famous American
sculptor Felix de Weldon, who created the iconic flag-raising Iwo Jima U.S.
Marine Corps memorial located in Rossyln, Virginia. There were also sculptures
by other artists decorating the various tombs, alcoves, and hallways of the
gargantuan structure. Historic events in which the Remey family participated,
from the landing of the Pilgrims to Pearl Harbor, were depicted. Two massive sleeping lions sculpted by Felix
de Weldon guarded the entrance to the mausoleum. Inside the memorial chapel were life size
statues depicting “Faith”, and “Charity.” Another series of carved reliefs
illustrated the lives of saints. The complex was lit by electric chandeliers,
had an extensive ventilation system, and plumbing.
Unguarded in what was
then rural Virginia, the Remeum was frequently vandalized. Hundreds of vandals defaced the complex over
the years. Fragments of smashed marble
reliefs and statues littered the floors.
Discarded beer cans and whiskey bottles were mixed with broken funeral
urns and the ashes of the dead. Statues
too large to steal were chipped or painted.
With construction halted, Remey relinquished all rights to the Pohick
Church in 1968. Remey was given five years to remove
anything of value from the mausoleum. Remey’s brother-in-law, a navy
Admiral, transferred the remains of
fifteen family members to Pompey, New York. Remey’s wife Gertrude was reinterred in the Pohick Church
Cemetery. The marker over
her grave appears to be a marble plaque from the Remeum. The complex was dismantled over a period of ten years,
being finally bulldozed over in 1983.
Northern Virginia’s cemeteries are time capsules reflecting the region’s 350 years of history. They offer a glimpse into the lives and fortunes of the famous, the infamous, and those who are remembered for loving their families, tending to their business, and quietly supporting their communities. There are some 1,000 cemeteries in Northern Virginia, ranging from small family plots to huge national cemeteries covering hundreds of acres. This book presents the history of the region through the medium of cemeteries. Every gravestone has a story to tell. Confederate raiders, freedmen, eccentrics, and nation builders lived and died in Northern Virginia. Sometimes, tombstones are all that remain of their stories. Often, finding their tombstones is the first step in rediscovering the stories of these figures.
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